|
1990 |
Don
Morrison |
What’s
it All About? |
|
1991 |
Duncan
McEwan |
Sports
Night |
|
1991 |
Eddie
Ronnie |
Photographic
Pot-pourri |
|
1991 |
James
Black |
The
Wellie Boot Show |
|
1991 |
Peter
Siviter |
Take
Two |
|
1991 |
Tony
Worobiec |
Monochrome
with a Dash of Colour |
|
1992 |
Bill
Chambers |
Photographic
Impressions |
|
1993 |
Bill
Wisden |
Wisden’s
Images [Ilford] |
|
1993 |
Bob
Elliot |
Creating
Pictures |
|
1993 |
Bob
Underhill |
Further
Prints |
|
1993 |
Cliff
Thomson |
Miscellany |
|
1993 |
Duncan
McEwan |
City
Lights |
|
1994 |
Colin
Thomson |
Irish
Stew |
|
1994 |
John
Watterson |
In
the Mood [Minolta Camera Club] |
|
1994 |
Sandy
Cleland |
The
Other Side of the Coin |
|
1994 |
Sean
Casey |
Irish
Miscellany |
|
1995 |
Brian
Covell |
As
it Happened |
|
1995 |
Peter
Upton |
Peter
Upton’s Pictures |
|
1996 |
Peter
Dixon |
Printers
Pie |
|
1996 |
Philip
Charnoch |
The
Professional Amateur |
|
Gwen Charnoch |
|
1996 |
Roy
Elwood |
Waterfalls,
Nudes and Dancers |
|
1997 |
Alan
Millward |
The
Promised Land |
|
1997 |
Colin
New |
The
Other Side of the Glass |
|
1997 |
Gus
Van Gent |
A
Dutch Master |
|
1997 |
Roger
Noons |
Prints
for a Change |
|
1998 |
Leo
Palmer |
The
Essential Image |
|
1998 |
Marion
Thompson |
An
Evening with a Copycat |
|
1999 |
Keith
Suddaby |
A
Lot to Learn |
|
1999 |
Bob
Moore |
Tapestry
of Life |