A
New Home for the Exhibition
For
its 3rd Exhibition, PSS moved to DR Hay’s Art Saloon, 90
George Street, a room which the Chairman described as large and well lighted.
The exhibition opened on 18 December 1858 with a with a Private View by
invitation the previous evening. It remained open until12 February
1859.
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Admission
Charges
Admission
charges were the same as for the 2nd PSS Exhibition:
- 10am to 5pm @ 1/-
- 7pm to 9pm @ 6d or 3 for 1/-
- Season tickets 2/6d
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Exhibitors
Entries
from photographers based in Scotland included:
- Archibald Burns:
10 stereograms from negatives by Fothergill's Process.
10 more stereo views.
I don't know whether or not these used
Fothergill's Process.
- G&D Hay, John Moffat, Truefitt
Bros:
all
Edinburgh professional photographers:
-
George Washington Wilson
- Thomas Annan:
portraits |
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Medals
A vote of PSS members determined who would be awarded the
Medals for the 3rd PSS Exhibition. The first Medal was to be awarded to a PSS
Member and the second to photographers generally. In each case, there was
a clear winner. They were:
- Rev T
M Raven
-
Lyndon Smith
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Photographs
from a single negative?
Lyndon
Smith felt flattered at receiving the medal, but annoyed that others regarded
his work as having been doctored. He wrote:
"I
beg to assure you most decidedly that my pictures are, each one without
exception from a single negative, and that the foregrounds and foliage are not
painted in, either in the negative or in the print.
In
case of any further dispute, I will with pleasure forward you any of the
negatives, though I do not wish to run the risk of breakage in carriage without
some urgent necessity.
With
regard to the Rising Mist a more
perfect and faithful transcript of the veritable scene and effect of nature was
never produced
-
excuse my egotism, it is not myself but the art I am extolling
unfortunately.
Though the negative still exists its glory has departed for it has split
up in all directions owing
to its having been varnished with bad varnish ..."
[Letter:
Lyndon Smith, Leeds: 28 June 1859]
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"I
never saw half a dozen photographs yet that did not require touching - I mean
that had not some small “comet” or star or spot which required blotting out.
Again, I repeat the picture "Rising
Mist" did not receive it at all, except so far as I have already stated
in any former letter. …"
[Letter:
Lyndon Smith, Leeds: undated]
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One
of the critics of Lyndon Smith's work was George Washington Wilson of
Aberdeen. He called for PSS to give clearer guidance for future
exhibitions:
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Reply
Lyndon
Smith felt flattered at receiving the medal, but annoyed that others regarded
his work as having been doctored. He wrote:
"When the Society next offers a medal for the best photography I
hope, to save disputes, that they will lay down some rules so as to let
competitors know how far they may go in this way of doctoring their
pictures and when they must stop.
PS. I
should like to know if Mr Smith printed his pictures himself - they look as if
printed by Maxwell Lyte ..."
[Letter:
George
Washington Wilson: 14 February 1859]
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Prices
Here
are some of the prices charged by photographers for copies of their prints in
the exhibition:
-
John Moffat - 30 photos at 5/- each + 3 frames at £5 5s 0d each.
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Kenneth McLeay: photos 10/- each; painted £3 3 0d and
£4 4
0d each.
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James Mudd: 5 prints at 5/- and 6/- each.
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J Lyndon Smith, Leeds: 5/- small; 8/- large.
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G W Wilson: Stereoscopic 1/6 each; others 5/- and 6/- each.
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A Claudet - not for sale
“Photographs
sent were merely for the purpose of Exhibition or Specimens, and not for sale.
Indeed I could not sell copies of either of the portraits without the
permission of the owners as it would
be quite contrary to my custom to do so."
[A Claudet letter:]
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Henry
Peach Robinson
Henry Peach Robinson's photographs sold particularly well.
He sold:
-
December 1858: 27
photographs for £7 15s 0d.
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March 1859:
32 photographs for £6 14s
6d.
These
two sales included several small studies at 3/- each and:
-
3 x
Fading
Away
@ 15/- each
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3 x
They
Never Told
@ 5/- each
-
14 x
Red
Riding Hood
@ 5/- each
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'Fading
Away'
©
The Royal Photographic Society, Bath,
England. web site http://www.rps.org.
Also reproduced in The Practical Photographer, March 1995.
This
is one of the photographs for sale at the 3rd PSS Exhibition.
It shows a girl with consumption. It
caused controversy in Victorian times, until it was realised that it was a
staged scene and not reality.
The
National Library of Scotland has a catalogue of the 3rd PSS Exhibition. |
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