Another
Open Photographic Competition
The
8th PSS Exhibition, like
the
7th, was an Open Photographic Competition. This enabled the entries to be
displayed in The New Hall,117 George Street. This was the Hall next to the
Hall where PSS held their regular monthly meetings. The press wrote:
"The
competitive exhibition this season was the means of bringing together a number
of beautiful prints sent from every art of the country - a proof that a medal
from this Society is valued as one of he highest awards a photographer can
attain."
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The
PSS Council reported, after the exhibition closed:
"The
competitive exhibition this season was the means of bringing together a number
of beautiful prints sent from every art of the country - a proof that a medal
from this Society is valued as one of he highest awards a photographer can
attain.
The Exhibition was open for one
month to the public free of charge, and it must be gratifying to the Society
that the Exhibition was well attended and that many regrets were expressed when
the Exhibition closed."
[Report from PSS Council for the year to May 1864]
Medals
awarded
John
Moffat
Silver
Medal for the Best Portrait:
Mr
George Harvey
Henry
Peach
Robinson
Silver
Medal for the Best Group [printed form a single negative]
Somebody’s
Coming
Thomas
Rodger
Bronze
Medal
[runner up] for the Best Group [printed form a single negative]
Colonel
& Mrs Maitland Dougal
Henry
Peach
Robinson
Silver
Medal for the Best Landscape
Deer
Park, Stoneleigh
F
Bedford
Bronze
Medal
[runner up] for the Best Landscape
View
of Warwick Castle
HP
Robinson was extremely grateful for his PSS Medals. He wrote:
"The
Photographic Society of Scotland, having awarded a
medal to me for the fifth time is the
greatest honor I have ever received for which I return my best thanks."
"...
if the Medals I have would produce a ton of Nitrate of Silver each, I would not
convert them."
[Letter:
HP Robinson to PSS - 18 February 1864]
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HP
Robinson's print Somebody's
Coming, was selected
as the Society's Presentation Print. 100 copies of this print were
ordered from HP Robinson at a cost of 3/6 each. These were distributed,
one to each PSS Member.
The
judges also praised other photographs in the exhibition:
"Some
of the landscapes by Messrs Annon, Gillis, Mudd and Thomson are
deserving of special commendation
Two
groups by Mr Barratt of Torquay were greatly admired, while of portraits they
consider one of Professor Syme by Mr Moffat and one of John Steel Esq. by Messrs
McGlashan & Walker scarcely in any way inferior to that of Mr Harvey.
Mr Dallas has also sent some excellent portraits; but they are of a
smaller size than those already mentioned, and where anything like an
equality exists in point of execution the larger print will generally
have the advantage.
[Judges'
Prize Committee Report - March 1864].
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Composition
Prints - controversy
Much
controversy arose at this exhibition at the Silver Medal being awarded to a
composition print - i.e. one made from more than one negative.
Francis
Bedford, himself the winner of Bronze Medal for his Landscapes, wrote:
"I
have much pleasure in acknowledging the receipt of the Medal which has just
reached me. Had I been aware
before-hand that the Silver medal would be awarded for a composition
landscape, I could have made up and sent in a View of Jerusalem from two
negatives which would, I think, have been interesting, but I was under the
impression that such photographs were ineligible for prizes.
I need not remind you that a landscape taken upon one plate compares
rather disadvantageously with another taken from two negatives, embracing
respectively a much larger angle of view."
[Letter: Francis Bedford to PSS 25/2/864]
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The
judges agreed that it had been their intention to exclude composition prints
from the awards, but in fact their rules excluded composition pictures from the
Landscapes category but not from the Groups category.
HP
Robinson read the rules carefully. Referring to one of his landscapes, he
wrote:
"Autumn
being from several negatives is of course excluded by your new rules for
competition.
I send it thinking you might like to see it."
[Letter:
HP Robinson to PSS - 14 January 1864]
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However,
he entered a composition print for the Group category. He was concerned to
hear that others had objected to his composition photograph winning a Silver
Medal. He wrote several lengthy letters to PSS defending his right to
enter a composition picture. He wrote:
"I am sorry the other exhibitors should be annoyed.
They must have been asleep not to have read the Advertisement as I did,
and I must say that very few of them are capable of taking advantage of it.
To make an absolutely invisible join down the middle of a landscape is
difficult to accomplish."
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He
concluded this letter:
"Cartes de visite are my business.
Compositions my pleasure."
[Letter:
HP Robinson to PSS - 25 February 1864]
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Exhibition
Entrants
The
following all sent photographs to the 8th PSS Exhibition. There may also
have been others.
Thomas
Annan
Glasgow |
-
Ravenscraig Castle
-
Cora Castle
-
Glasscadden
-
Melrose
-
Fern
-
A Dell without a Name
-
Scottish Peasantry
-
Willows by the Water Courses
The
print, Willows by the Water
Courses, was printed from two
negatives. Thomas Annan wrote:
"I
suppose that will prevent it from competing, but I think it one of my
most picturesque subjects, and as much a good picture as anything I have
got." Thomas
Annan: Letter to PSS 18/1/1864]. |
Francis
Bedford
London |
-
18 framed photographs |
Robert
Bell
Alnwick |
-
1 small group |
Thomas
Brownrigg
Mayborough,
Ireland |
-
6 collodion landscapes - 12 x 10 ins each |
JB
Cartlidge
Leith
Walk |
-
3 frames of cartes de visite |
Mr
Church
Glasgow |
-
8 prints in glazed frame |
JT
(?) Croal
86
George Street, Edinburgh
This address should probably be: 80 George Street,
Edinburgh. |
-
1 frame of portraits |
Dallas |
-
1 frame of cartes de visite
-
1 frame of portraits |
Rev.
DTK Drummond
Edinburgh |
-
views |
John
Lamb
Aberdeen |
-
6 frames of portraits
"These were taken in a glass house which I have erected
on the Sutton principle."
[letter: John Lamb to PSS - 5 December 1863] |
James
Grant MacAndrew
London |
-
6 landscapes
-
8 portraits |
J
Moffat |
-
frames of prints |
T
Ovenden
Woolwich |
-
4 groups of gentlemen cadets
-
The Drill Sergeant of the Royal Military Academy
J
Ovenden was an amateur. He wrote:
"Taken
on half plate with Voillander's whole plate lens. Time
of exposure 20 to 30 seconds. Developed with iron and intensified
with Pyro. The collodion is a mixture of various makes."
[letters: T Ovenden to PSS - 9 and14 January 1864] |
Archibald
Robertson
Glasgow |
-
7 framed views of groups and views |
HP
Robinson |
-
8 framed photographs
-
Autumn
-
Somebody’s Coming
-
May Gatherers
-
A Portrait
-
A Study
-
Deer Park, Stoneleigh
-
Warwick Castle
-
Ruined Bridge, Warwick
Somebody's Coming
©
HP Robinson
also referred to his collection of photos of other photographers.
Has this collection survived? He wrote to PSS Secretary, TB
Johnson:
"I
am much obliged for your portrait. I am making a collection of
portraits of photographers and should be glad to exchange with any of
your Edinburgh Artists.
I enclose a couple of my own, all I have
printed at present. If any of your friends would like to exchange,
I should be glad to hear from them."
[letter:
HP Robinson to TB Johnson - 24 February 1864] |
Thomas
Ross
London |
-
4 frames of |
Colonel
Edwin (?) Smith
Bath |
Framed
photographs
-
3 upon china
-
1 upon ivory |
J
Thomson |
-
8 views |
S
Thomson
London |
-
1 frame of 4 photos - 12 ins x 10 ins
-
1 frame of 3 photos - 12 ins x 10 ins
-
1 frame of 9 photos - smaller size
-
6 portraits of HRH the Prince of Wales and the Princess at AL..(?)
Castle
"All
by the wet collodion process. The Co... (?) Falls had an exposure
of 10 minutes with a wet plate on a dull day"
[letter:
S Thomson to PSS] |
James
Tulley
Sheffield |
- 2 frames of groups
"12 ins x 16 ins untouched, taken on Ross
wholeplate lenses made by the old Gentleman."
[letter:
James Tulley to PSS] |
Thank you to Sarah
Mitchell, who is related to James Tulley for telling me:
"James Tulley was
quite an interesting character. He had a business in Sheffield. He
was an early music hall artist, and had another photography business in
London where he used the alias of Napoleon Syrus." |
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