|
Edinburgh
Photographic Society
Beginners'
Group
1960s |
1
|
11
|
1960
|
M
|
Boron
|
Photography in Theory |
8
|
11
|
1960
|
M
|
Boron
|
Cameras - Lens, Shutter, Diaphragm |
15
|
11
|
1960
|
M
|
Boron
|
Negative Materials - Exposing a Negative |
22
|
11
|
1960
|
M
|
Boron
|
Negative Developers - Demonstration - Developing a
Negative |
6
|
12
|
1960
|
M
|
Boron
|
Photographic Papers: Contact Printing and Enlarging
Demonstrations |
13
|
12
|
1960
|
M
|
Boron
|
Finishing a Print - Any Questions? |
7
|
11
|
1961
|
Sheila M
|
Weir
|
Cameras |
14
|
11
|
1961
|
Sheila M
|
Weir
|
Taking a Photograph |
21
|
11
|
1961
|
Sheila M
|
Weir
|
Negatives |
28
|
11
|
1961
|
Sheila M
|
Weir
|
Contact Prints |
5
|
12
|
1961
|
Sheila M
|
Weir
|
Enlargements |
12
|
12
|
1961
|
Sheila M
|
Weir
|
Print Finishing |
6
|
11
|
1962
|
Robert B
|
Muir
|
Photography (Theory) |
13
|
11
|
1962
|
Robert B
|
Muir
|
Cameras, Lenses [demonstration] |
20
|
11
|
1962
|
Robert B
|
Muir
|
Exposing Demonstration |
27
|
11
|
1962
|
Robert B
|
Muir
|
Negatives - Development - Demonstration |
4
|
12
|
1962
|
Robert B
|
Muir
|
Printing Demonstration |
11
|
12
|
1962
|
Robert B
|
Muir
|
Finishing Demonstration |
8
|
11
|
1963
|
M
|
Boron
|
Introduction to Photograpy |
15
|
11
|
1963
|
M
|
Boron
|
Nature of Light and Image Formation |
22
|
11
|
1963
|
M
|
Boron
|
Lenses (faults
and corrections, angle of coverage, power) =
a demonstration |
29
|
11
|
1963
|
M
|
Boron
|
Exposure - aperture and shutter |
5
|
12
|
1963
|
Robert B
|
Muir
|
Cameras - a demonstration |
12
|
12
|
1963
|
Robert B
|
Muir
|
Films |
9
|
1
|
1964
|
Robert B
|
Muir
|
Exposing - demonstration |
16
|
1
|
1964
|
Robert B
|
Muir
|
Developing a film - demonstration |
23
|
1
|
1964
|
N
|
Campbell
|
Photographic Papers - Contact printing - demonstration
|
30
|
1
|
1964
|
N
|
Campbell
|
Enlarger and simple enlarging demonstration
|
6
|
2
|
1964
|
N
|
Campbell
|
Advanced Enlarging - demonstration |
13
|
2
|
1964
|
N
|
Campbell
|
Finishing a Print - demonstration |
13
|
11
|
1964
|
M
|
Boron
|
Introduction to Photography |
20
|
11
|
1964
|
M
|
Boron |
Nature of Light and image formation -
a demonstration |
27
|
11
|
1964
|
M
|
Boron
|
Lenses (faults and corrections, angle of coverage, power)
demonstration |
4
|
12
|
1964
|
M
|
Boron
|
Exposure (aperture and shutter) |
10
|
12
|
1964
|
Robert B
|
Muir
|
Cameras - a demonstration |
17
|
12
|
1964
|
Robert B
|
Muir
|
Films |
7
|
1
|
1965
|
Robert B
|
Muir
|
Exposing - demonstration |
14
|
1
|
1965
|
Robert B
|
Muir
|
Developing a Film - demonstration |
21
|
1
|
1965
|
N
|
Campbell
|
Papers and developers (enlarging demonstration) |
28
|
1
|
1965
|
N
|
Campbell
|
Enlarging Demonstration |
4
|
2
|
1965
|
N
|
Campbell
|
Control in Enlarging |
11
|
2
|
1965
|
N
|
Campbell
|
Print finishing |
4
|
11
|
1965
|
C E Ash
|
Ash
|
Lenses, Light and the Camera [joint lecture] |
4
|
11
|
1965
|
H M
|
Bowen
|
Lenses, Light and the Camera [joint lecture] |
11
|
11
|
1965
|
C E
|
Ash
|
Using the Camera [joint lecture] |
11
|
11
|
1965
|
H M
|
Bowen
|
Using the Camera [joint lecture] |
18
|
11
|
1965
|
C E
|
Ash
|
Film and Paper [joint lecture] |
18
|
11
|
1965
|
H M
|
Bowen
|
Film and Paper [joint lecture] |
19
|
11
|
1965
|
G D
|
Cruickshank
|
Informal Criticism Night for Beginners only. Bring Prints
and slides [joint lecture] |
19
|
11
|
1965
|
A
|
Buchanan
|
Informal Criticism Night for Beginners only. Bring Prints
and slides [joint lecture] |
25
|
11
|
1965
|
C E
|
Ash
|
Film Copying Demonstration [joint lecture] |
25
|
11
|
1965
|
H M
|
Bowen
|
Film Copying Demonstration [joint lecture] |
2
|
12
|
1965
|
C E
|
Ash
|
Printing and Enlarging Demonstration [joint lecture]
|
2
|
12
|
1965
|
H M
|
Bowen
|
Printing and Enlarging Demonstration [joint lecture] |
9
|
12
|
1965
|
C E
|
Ash
|
Finishing [joint lecture] |
9
|
12
|
1965
|
H M
|
Bowen
|
Finishing [joint lecture] |
11
|
1
|
1966
|
C E
|
Ash
|
Lenses, light and the Camera [joint lecture] |
11
|
1
|
1966
|
H M
|
Bowen
|
Lenses, light and the Camera [joint lecture] |
18
|
1
|
1966
|
C E
|
Ash
|
Using the Camera [joint lecture] |
18
|
1
|
1966
|
H M
|
Bowen
|
Using the Camera [joint lecture] |
25
|
1
|
1966
|
C E
|
Ash
|
Film and Paper [joint lecture] |
25
|
1
|
1966
|
H M
|
Bowen
|
Film and Paper [joint lecture] |
27
|
1
|
1966
|
J E
|
Black
|
Informal Criticism Night for Beginners only - bring prints
and slides [joint lecture] |
27
|
1
|
1966
|
Prof. F
|
Bell
|
Informal Criticism Night for Beginners only - bring prints
and slides [joint lecture] |
1
|
2
|
1966
|
C E
|
Ash
|
Film Processing Demonstration [joint lecture] |
1
|
2
|
1966
|
H M
|
Bowen
|
Film Processing Demonstration [joint lecture] |
8
|
2
|
1966
|
C E
|
Ash
|
Printing and Enlarging Demonstration [joint lecture] |
8
|
2
|
1966
|
H M
|
Bowen
|
Printing and Enlarging Demonstration [joint lecture] |
15
|
2
|
1966
|
R
|
Forester-Smith
|
Lighting for Colour and Black and White - Inc. Photographer
IBP - means what? |
3
|
11
|
1966
|
H M
|
Bowan
|
Lenses, Light and the Camera [joint lecture] |
3
|
11
|
1966
|
J R
|
Brown
|
Lenses, Light and the Camera [joint lecture] |
10
|
11
|
1966
|
H M
|
Bowan
|
Using the Camera [joint lecture] |
10
|
11
|
1966
|
J R
|
Brown
|
Using the Camera [joint lecture] |
17
|
11
|
1966
|
H M
|
Bowan
|
Film and Paper [joint lecture] |
17
|
11
|
1966
|
J R
|
Brown
|
Film and Paper [joint lecture] |
24
|
11
|
1966
|
H M
|
Bowan
|
Film Processing [joint lecture] |
24
|
11
|
1966
|
J R
|
Brown
|
Film Processing [joint lecture] |
1
|
12
|
1966
|
H M
|
Bowan
|
Printing and Enlarging [joint lecture] |
1
|
12
|
1966
|
J R
|
Brown
|
Printing and Enlarging [joint lecture] |
8
|
12
|
1966
|
H M
|
Bowan
|
Finishing [joint lecture] |
8
|
12
|
1966
|
J R
|
Brown
|
Finishing [joint lecture] |
10
|
1
|
1967
|
H M
|
Bowan
|
Lenses, Light and the Camera [joint lecture] |
10
|
1
|
1967
|
J R
|
Brown
|
Lenses, Light and the Camera [joint lecture] |
17
|
1
|
1967
|
H M
|
Bowan
|
Using the Camera [joint lecture] |
17
|
1
|
1967
|
J R
|
Brown
|
Using the Camera [joint lecture] |
24
|
1
|
1967
|
H M
|
Bowan
|
Film and Paper [joint lecture] |
24
|
1
|
1967
|
J R
|
Brown
|
Film and Paper [joint lecture] |
31
|
1
|
1967
|
H M
|
Bowan
|
Film Processing - demonstration [joint lecture] |
31
|
1
|
1967
|
J R
|
Brown
|
Film Processing - demonstration [joint lecture] |
7
|
2
|
1967
|
H M
|
Bowan
|
Printing and Enlarging - demonstration [joint lecture] |
7
|
2
|
1967
|
J R
|
Brown
|
Printing and Enlarging - demonstration [joint lecture] |
14
|
2
|
1967
|
H M
|
Bowan
|
Finishing - demonstration [joint lecture] |
14
|
2
|
1967
|
J R
|
Brown
|
Finishing - demonstration [joint lecture] |
9
|
11
|
1967
|
H M
|
Bowan
|
Choosing equipment Simple or complicated camera? Cheap or
expensive projectors and enlargers? A discussion on how to get the best
for your money. |
16
|
11
|
1967
|
H M
|
Bowan
|
Technical facts. About exposure, aperture, focus and films |
23
|
11
|
1967
|
|
|
Practical Night I - Developing and its problems |
30
|
11
|
1967
|
|
|
Practical Night II - Enlarging and simple control
|
7
|
12
|
1967
|
H M
|
Bowan
|
Print and slide presentation. Finishing and mounting.
Projectors. |
14
|
12
|
1967
|
|
|
How to make a picture. A brief talk on how to please the
judges or how to be your own judge. |
7
|
11
|
1968
|
C G
|
Reddington
|
Apparatus: the camera and lenses |
14
|
11
|
1968
|
C G
|
Reddington
|
Negative material and exposure estimation |
21
|
11
|
1968
|
C G
|
Reddington
|
Negative Development |
28
|
11
|
1968
|
|
|
Practical Night II - Enlarging and simple control
|
5
|
12
|
1968
|
C G
|
Reddington
|
Print quality. Print finishing and mounting. Colour slide
mounting and presentation. |
12
|
12
|
1968
|
C G
|
Reddington
|
The subject. Selection, composition., choice of lighting
outdoors and indoors, monochrome and colour |
6
|
11
|
1969
|
C G
|
Reddington
|
Apparatus: the camera and the lens |
13
|
11
|
1969
|
C G
|
Reddington
|
Negative material and exposure estimation |
20
|
11
|
1969
|
C G
|
Reddington
|
Negative Development |
27
|
11
|
1969
|
C G
|
Reddington
|
Print Making: the enlarger and darkroom techniques
|
4
|
12
|
1969
|
C G
|
Reddington
|
Print quality. Print finishing and mounting. Colour slide
mounting and presentation. |
11
|
12
|
1969
|
C G
|
Reddington
|
The subject, selection, composition., choice and lighting
outdoors and indoors, monochrome and colour |