James
Good Tunny
Studios
|
Tunny & Asher |
102 South Bridge
|
1867
|
James Good Tunny |
78 South Clerk Street
|
1852-59
|
_ Causewayside
|
1860
|
93 Princes Street
|
1860-74
|
102 South Bridge
|
1869-72
|
6 West Newington
*
|
1870
|
11 Salisbury Place
|
1871-86
|
13 Maitland Street
|
1875-87
|
19 Salisbury Place
|
1887
|
*
This address appeared in the trade directories
However, it was probably not a studio address, but Tunny's temporary address
while work was being carried out on what was to become his new home
and studio at 11 Salisbury Place. |
J G Tunny & Co
[following the death of J G Tunny in 1887] |
13 Maitland Street
|
1888-98
|
19 Salisbury Place
|
1888-97
|
13a Maitland Street
|
1896-98
|
61 Shandwick Place
|
1899-09
|
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Studio in 1852
James Good Tunny's first appearance in
the Edinburgh Trade Directories as a photographer was in 1852. His
studio was at 78 South Clerk Street.
©
|
Studio in 1860
Tunny's
business continued at several addresses. From 1860 to 1874, he was
based at 93 Princes Street
An advert was placed in The Scotsman on 8
September 1860, reading:
J G TUNNY begs to inform his Friends and the general Public that his
NEW PHOTOGRAPHIC ESTABLISHMENT, 93 PRINCES' STREET will be OPENED on
MONDAY first, the 10th inst. and which will be under his personal
superintendence.
The BUSINESS at the NEWINGTON PHOTOGRAPHIC ROOMS will be conducted by
Mr SMITH, one of Mr Tunny's oldest assistants.
|
In
the 1861 Census Tunny was described as
"Photographer
employing 2 men and 3 women".
He was then
with his wife, 4
sons, daughter, sister-in-law, nurse, cook, nursery maid and
photographer's apprentice.
[Census: 1861]
|
Thank you to Ron Cosens passing on a message from his friend, Alan
Collier, to me drawing my attention to an article
published in the Dundee Courier on 3 May1873 about one of J G
Tunny's premises.
The article read:
Edinburgh Photographer's Premises Burned
"Our Edinburgh correspondent telegraphs: -
Last night, about seven o' clock, the premises of two storeys occupied by
Mr Tunny, photographer, Salisbury Place, Edinburgh, were burnt to the
ground.
Mr Tunny was working among some spirit of wine
varnish, when some chemicals ignited and set the place on fire. The
damage is estimated at upwards of £1,000."
Dundee Courier: Saturday 3 May, 1873 |
|
Studio in 1876
A full account of Tunny's studio at 13 Maitland
Street, Edinburgh, written by John Nicol, appeared in the British Journal
of Photography in 1876.
|
Studio in 1867
Tunny
was in partnership with Alexander Asher
at
102
South Bridge for one year only, in 1867.
|
Studios
in 1890
The
company’s studios were described in 1890:
“A hall surrounded by
some splendid specimens of photographic art, … , a finely furnished waiting
room and an elegantly appointed reception room, measuring about thirty feet by
thirty feet, lighted by a magnificent oriel window.”
[ST]
The company's 'Fine Art Photographic Galleries'
offered:
"Enlargements made to any
size
and coloured in oil, water
colours or crayon.
Indestructible Vitrified Enamels – a Speciality.
Photos printed in permanent
platinum
a process that bears a striking resemblance to finely executed
engraving."
|
|
Studios
in 1892
Two years later, the British Journal of
Photography printed a report on the company's main studios at 13 Maitland
Street at the West End of Edinburgh - premises that were to be given
the address 61 Shandwick Place in 1899.
"Mr Balmain
used some of the newest processes commercially.
In 1892, he was experimenting with printing-out paper, and was testing
the permanence of images on collodio-chloride paper.
They proved not to be very permanent.
He was an
award winner in vitrified enamels, which was now an important growing department
of his business. He also handled
photogravure work for the trade, and created photo-lithography transfers to
printers.”
[BJP1892:
p534]
The
company also opened a studio in Hawick in the Scottish Borders.
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