My Photography
2.
Equipment |
Summary |
Equipment
Cameras
1. 1950s
2. 1960s
3. 1990s
4. Today
Lenses
1. Telephoto Lenses
2. Standard Lenses
3. Wide Angle Lenses
4. Fisheye Lenses
Other Equipment
1. Tripod
2. Filters |
Cameras |
Canon
Since 2005, I have been using Canon Digital SLR cameras. -
first an EOS 20D, now an EOS 7D.
- I chose Canon because I had previously been
using Canon EOS film cameras, and the lenses were compatible with
the Canon digital cameras.
- If I had previously been using a Nikon camera
for film, I would probably have moved to a Nikon Digital SLR
camera.
- If I had been previously using any other make
of camera for film, I might have considered changing to Canon or
Nikon, because of the wide choice available and the quality of equipment
available from
these companies. |
Cameras
Compact cameras are more convenient to carry, and many can produce
very good results, often matching those from a Single Lens Reflex
(SLR) camera. In some lighting conditions.
It
might not always be possible to produce a large, high quality
exhibition print, especially in difficult lighting conditions,
from a compact camera.
I find the delay before a photo is taken, after
pressing the shutter when using a compact camera can be
frustrating and can result in 'missing a good picture'.
However, in many cases I feel that memorable pictures are the
result of a photographer 'seeing a picture' and
'capturing the moment', rather than what equipment was used.
Personally, I get satisfaction from the greater control
provided by an SLR camera, and the
opportunity that it offers to produce large, high quality photos
if I require them, though in practice many of my photos now go no
further than the web site. |
Lenses |
Below, we look at different types of lens:
- Telephoto Lenses
- Standard Lenses
- Wide Angle Lenses
- Fisheye Lenses
NOTE:
The focal lengths referred to below
are for 35mm film cameras or 'full frame' digital cameras.
Most digital cameras have smaller sensors
which make lenses act as if they are longer focal length.
e.g. A 50mm lens from an SLR
film camera might act as if it were, say, an 80mm lend when it is
used on a typical digital SLR camera.
The focal lengths that I refer
to below are the focal lengths marked on the lens. ie. the
focal length that the camera achieves when used on a film camera
or 'full frame' digital camera. |
Long Focal Lengths
Telephoto: eg. 200mm, 300mm, 500mm
*
These lenses come into their own for wildlife
photography, sports photography and other photography where it is
not practical to move in close to the subject.
It will often be necessary to use a tripod to
avoid 'camera shake'.
Here are some photos with at long focal lengths:
Telephoto Lens - Photo 1
Lens 210mm on Canon EOS 600 film
camera (1/125 sec,
f5.6)
Camera panned as the planes moved
quickly across the frame.
© Copyright: Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photograph taken September 22, 1990
Telephoto Lens - Photo 2
e.g. 150mm, 300mm, 500mm
lens (used on a 35mm film camera or
'full frame' digital camera)
OR
100mm, 200mm, 300mm lens (used
on a digital camera with small sensor)
Lens 210mm on
Canon EOS 600 film camera
(1/250 sec, f4)
Camera held steady as the planes
approached the camera
© Copyright: Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photograph taken September 22, 1990
Telephoto Lens - Photo 3
Lens - 300mm
on Canon EOS 600 film camera
The sun often looks much smaller
than we expect in a photograph, so a long lens helps
©
Copyright:
Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photo taken: August 14, 1994
Telephoto Lens - Photo 4
Lens: 105 mm
on Canon EOS 600 digital camera
With a wide angle lens, the sheep
at the back would have looked much smaller compared to those at
the front.
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
Photo taken: January 1, 1995
|
Standard Focal Length
e.g. 35mm, 50mm, 80mm
lens (used on a 35mm film
camera or 'full frame' digital camera)
OR
21mm, 30mm, 50mm lens (used on
a digital camera with small sensor)
standard lens can be a good compromise for
photographing groups of people and landscapes. For
portraits, a focal length of about 50mm or preferably about 85mm
is likely to create more flattering results than a wider lens.
The wider lens would be likely to be brought nearer to the
subject, and so might distort the features.
Here are some photos taken at standard focal
lengths
Standard Lens - Photo 1
Lens: 33 mm Canon EOS 20D digital camera
(1/200 sec, f8)
Compare with 'Wide angle Lens - Photo 1' below - This
photo shows far less background than the wide lens below
©
Peter Stubbs. Photograph taken: January
19, 2006,
Standard Lens - Photo 2
Lens: 33mm on Canon EOS 20D digital camera (1/200
sec, f8)
Glenfinnan Highland Games -
standard lens used to try to capture both the action and the
background
©
Copyright:
Peter Stubbs
20 August 2005
|
Wide Angle Lens
e.g. 15mm, 21mm, 30mm
lens (used on a 35mm film camera or
'full frame' digital camera)
OR
10mm, 14mm, 20mm lens (used on
a digital camera with small sensor)
Wide Angle: e.g. 15mm, 24mm
I often prefer to use wide focal lengths.
I feel that these help to show the environment surrounding the
subject better, especially for photos taken in a confined space
indoors, and help to put the subject in context.
Including items close to the camera in the
foreground in a photo taken with a wide angle lens can help create
a sense of depth and almost '3D' effect in a photo.
Here are some photos taken at wide focal lengths
Wide Angle Lens - Photo 1
Lens: 17mm Canon EOS 20D digital camera
(1/160 sec, f8)
Compare with 'Standard Lens - Photo 1' above -
This photo shows far more background than the standard lens above
©
Peter Stubbs. Photograph taken: January
19, 2006,
Wide Angle Lens - Photo 2
Lens: 20mm on Canon EOS 600 film camera
I believe this was taken with my
20mm lens but am not sure. The converging verticals
become more pronounced with a wide angle lens.
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
Photograph taken April 1991
Wide Angle Lens - Photo 3
Lens: 20mm on Canon EOS 600 film camera
I believe this was taken with my
20mm lens, but am not sure. The camera was tilted down, so the
verticals converge towards the base. Note that even the
foreground is in focus
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
Photograph taken April 1991 |
Fisheye
A
Fisheye lens is an extremely a wide angle lens, which produces a
distorted image. All straight lines in an image taken with a
fisheye lens, except any that pass through the centre of the
picture, become curves. Distortions might be regarded a helping or
spoiling a photo, depending on the subject, and on who is looking
at the photo!
There
are two types of fisheye lens:
- 'Full frame fisheye', which gives a 180
degree view across each of the two diagonals of the picture.
(These lenses are typically about 15mm for a 35mm film
format camera.)
- 'Circular fisheye', which gives an even
wider view gives. It produces a circular image with a 180
degree view across any diagonal of the circle. (These
lenses are typically about 10mm for a 35mm film format camera.)
It can be a good idea to have a look around the edge
of the frame when using a fisheye lens. I have been
surprised to find my shoes included in the bottom of the image in
some of the fisheye photos I have taken!
Wide angle lenses and particularly fisheye
lenses give a large depth of field. i.e. everything will
probably appear to be in focus, even when a large aperture such as
f3.5 is used.
Here are some photos taken using a fisheye lens.
Fisheye Lens - Photo 1
Lens: 15mm Fisheye
on Canon EOS 600 film camera
Fisheye lens used to capture a wide
angle, showing the whole distillery yard and the footprints left
by the birds in the foreground
©
Peter Stubbs
www.edinphoto.org.uk
Photo taken February 7, 1996
Fisheye Lens - Photo 2
Lens: 15mm fisheye on Canon EOS 600
film camera
Interior view in a confined
space - Fisheye lens used to capture as much detail as possible in the
background
©
Copyright:
peter.stubbs@edinphoto.org.uk
Photograph taken September 8, 1994
Fisheye Lens - Photo 3
Lens: 15mm Fisheye
on Canon EOS 600 film camera (1/3
sec,
f3.5)
This photo was taken with a long
exposure. That's what created the 'one-legged commuters
©
Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photograph taken January 12, 1995 |
Other Equipment |
Tripod
It is not always convenient to use a tripod
(e.g. in crowded, busy situations) but where it is convenient (e.g. for landscape photos) it can often improve the
photo. Camera shake is avoided, and the photographer can
spend more time thinking about and fine-tuning the composition of
a photo.
These photos were taken with a tripod.
Photo taken with Tripod 1
Stephen's Church
Tower
The light was low, so I needed to
use a tripod
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
Photograph
taken: May 23, 1996
Photo taken with Tripod 2
View from tower of
Stephen's Church
There was hurry to take this photo.
Nothing was going to move (apart from the storm) so I used a tripod to
avoid camera shake
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
Photograph taken: August 12, 2010
Photo taken with Tripod 3
Liverpool
Street Station
Tripod used to allow a longer
exposure to be used to show movement in some of the figures
©
Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photograph taken January 19, 1996
|
Filters
The only filter that I normally use (apart from
a skylight to protect the lens) is a polarising filter. On
days with blue sky and white clouds, a polarising filter can
create a more dramatic sky. It can also bring our the
colours in a rainbow more clearly and can reduce reflections, e.g. in shop windows and in water.
Here are some photos taken with a polarising
filter.
Photo taken with Polarising
Filter 1
Sky over Inchkeith
Polarising filter used to darken
the sky and bring out the contrast with the clouds
©
Copyright:
Peter Stubbs - please contact peter.stubbs@edinphoto.org.uk
-
Photograph taken July 4, 2009
Photo taken with Polarising
Filter 2
Sky over Cramond Island
Polarising filter used to darken
the sky and bring out the contrast with the clouds
©
Copyright:
Peter Stubbs
Photo taken: July 4, 2009
Photo taken with Polarising
Filter 3
Looking east along
Princes Street
©
Copyright:
Peter Stubbs Photograph taken at 6.13pm on August 13, 2007
Photo taken with Polarising
Filter 4
Eastfield Bus Terminus
©
Copyright:
Peter Stubbs - please contact
peter.stubbs@edinphoto.org.uk
Photo taken May 23, 2011 |
|