More
Recent
Engravers
This
section is listed in approximately chronological order
but with exceptions - especially where links are made between
engravers.
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1.
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Robert R Scott (b.
Lanark 1777; d. 1841) was
an Edinburgh engraver who specialised in landscapes and
topography.
Gillespie's Hospita
by R Scott
©
His sons were also engravers:
- Davis Scott RSA
(b.1806; d.1849)
was best known as a historical painter.
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Bill Scott - an artist, engraver and art
critic.
Please click here for more details of the
Scott family.
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Andrew Wilson (b.
Edinburgh1780; d. Edinburgh 1848) was a landscape and
topographical engraver.
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William Nicholson (fl.
Edinburgh1796-1816) was a line engraver, specialising in
architectural and topographical subjects.
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Charles Heath Wilson (b.
Edinburgh; d. Edinburgh 1842). son of
Andrew Wilson, was taught by his father. He went on to become a
landscape painter and engraver, a director of the Edinburgh School of
Art 1843 and of the
Glasgow School of Design 1848
before emigrating to Italy 1869.
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John Petrie (fl.
Edinburgh1796-1916) was an architectural and topographical
engraver. Was he related to the etcher, John
RA Petrie?
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2.
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James Kirkwood & Son specialised in
engraving ornamental writing. The company was
established 1790 or earlier. Three generations worked for the
company:
James Kirkwood,
John Kirkwood, son of James,
George
Kirkwood (b. Ireland; fl. c.1850),
son of John.
The
company was
based at Parliament Square, then at 11 South St Andrew Street.
©
Their work included engraving medals
for Edinburgh Photographic Society.
Question:
A correspondent from New Jersey, USA, tells me that he
has
acquired an iron/steel plate about 2.5 inches by 5 inches which is
richly engraved with a women in a flowing dress standing by a pier or
dock.
There are tall ships in the background. On the reverse is the
name John
Sellers
and an S with a line or the number one running through the long
dimension.
He has been told Mr. Sellers was an engraver in Edinburgh who worked
for R & HB Kirkwood Goldsmiths and Silversmiths from 1843-1871.
He asks if anybody can supply more information. If you can help,
please
email me.
Thank you.
- Peter Stubbs
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William Home Lizars
(b. Edinburgh 1788; d.
Edinburgh 1859), was born in
Edinburgh. and apprenticed to his father Daniel Lizars (see
Early
Engravers)
then to the Trustees' Drawing Academy.
He took over
the Lizars family's engraving
business at 61
Princes Street
and 3
St James Square on his father's death in 1812.
He
produced many engravings for books, including
51 engravings after drawings by Ewbank for Picturesque
Views of Edinburgh and
also engraved maps
of Edinburgh for the early Edinburgh trade directories from the
1830s or earlier until 1859.
He was also a painter.
Engraving
by WH Lizars
published in Modern
Athens - 1829
©
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James Stewart
(b. Edinburgh 1791; d. South Africa 1863)
produced historical and sports
engravings. He was an original member of the Royal Scottish
Academy in 1826. He emigrated to Algoa in 1833.
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3.
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The Smillie brothers both emigrated to North America, and carried out
banknote engraving. They were:
James Smillie
(b. Edinburgh 1807; d. Poughkeepsie) and
William Cumming
Smillie
(b. Edinburgh 1813)
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John Talfourd Smyth (b.
Edinburgh 1819; d. Edinburgh 1851) was a
historical and portrait line engraver. He moved to Glasgow in
1838.
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Bruce James Home
1830-1912 was apprenticed to an Edinburgh
lithographer. He studied at the Trustees Academy under Scott
Lauder. He lived in London. 1892-97.
He was curator of the Outlook Tower and first curator of the
Edinburgh municipal museum.
He was a topographical artist who published a two volume book: Old
Houses of Edinburgh in 1905-1907.
The Edinburgh Room at Edinburgh Central LIbrary
has a copy of this book.
Edinburgh Central Library has a lithographs, drawings and an etching
by Bruce James Home.
The City of Edinburgh Art Collection has drawings, watercolours and
an oil painting by Bruce James Home.
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Thomas Dick worked in Edinburgh
1839
until 1870, producing engravings of prominent Edinburgh figures.
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William Richardson (fl.
late-1840s - 60s) and
©
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William Miller (d.1887,
aged 86, having lived throughout his life at 4 Hope Park)
produced many line engravings, mostly in steel, including engravings
after DO Hill to illustrate The Land of Burns and engravings after
Turner.
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There was also another
William Miller (b.
Edinburgh, 1796: d. Sheffield 1882).
He was apprenticed in 1811 to
William Archibald.
William
Miller went to London 1819 then
returned to Edinburgh 1821.
His work was published in Art Journal,
Art Union and
elsewhere.
He moved to London, 1819,
and returned to Edinburgh, 1821.
[P&P:RL]
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John Smith (fl. Edinburgh
1800-30) was a portrait engraver.
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4.
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- William Forrest
was another contributor to The Land
of Burns, and
Memorials of Edinburgh in The Olden Time.
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Robert Anderson ARSA
( b. Edin
1842, d. Edin 1885) was a general,
landscape and shipping engraver.
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David Law (b. Edinburgh
1831; d. Worthing 1901) was one of many Edinburgh
engravers who studied at the Trustees' Academy. He was apprenticed
to George Aikman (See Engravers
as Photographers) in Edinburgh.
He
later moved to Southampton to work for the Ordnance Survey before taking
up watercolour and etching.
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Scott & Ferguson
were engravers and lithographers in Edinburgh in the late 19th century.
Graham Johnston (b. Edinburgh
1869) was employed by Scott & Ferguson,
carrying out work for the Lyon Court which later made him heraldic
engraver.
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Hugh Paton and Sons (fl. Edinburgh
1880s) were
publishers based at 115, Princes Street.
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5.
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Forrester
& Nichol of 10 George Street, Edinburgh
advertised their lithographic business in Gray's Annual
Directory 1833-34.
©
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J Drummond produced
over 100 attractive stone lithographs from the 1840s until the
1870s. Almost all of these were of Edinburgh, in particular of the
closes around the High Street and Canongate. These were published in
a book in 1879. |
Main sources: Book
of the Old Edinburgh Club, Vol 9John
C Guy
+ Prints
& Printmaking, Raymond Lister
ALSO: Caatalogue of the City of Edinburgh Art
Collection
Questions
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D
Small produced some
engravings of Edinburgh in a book published in 1880. I have
two of
these engravings.
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Which book were they published in?
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Was D Smith based in Edinburgh.
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