Edinburgh Photographic
Society
140th International
Exhibition of Photography
4
Aug to
1 Sep 2002
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Poster
©
Dr Adi R Sethna
Above is one of the photographs in the
2002 Exhibition:
- Title: The Court Jesters
- Photographer: Dr Adi R
Sethna FRPS AFIAP
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Catalogue
©
with acknowledgement to Edinburgh Photographic Society
Above is one of the cover of the
catalogue for the 2002 Exhibition.
Similar catalogues
have been produced for many years.
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Venue
This Exhibition of Photography is
the 140th in a long line of
Edinburgh Photographic Society Annual Open Exhibitions. The
Exhibition was shown at Edinburgh Photographic Society's Premises:
The
Edinburgh Photographic Centre
68
Great King Street
©
Copyright: For permission to
reproduce, please contact
peter.stubbs@edinphoto.org.uk
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Entries
For this exhibition, the number of prints received was
more than 10% higher than in the previous year:
- 1,057 mono prints
- 1,403 colour
prints
- from 52 countries
From
this entry there were chosen to be hung:
- 83 mono prints
- 126 colour prints.
©
Copyright: For permission
to reproduce, please contact
peter.stubbs@edinphoto.org.uk
|
FIAP Gold Medals
Three FIAP Gold Medals were awarded,
one by each of the
Selectors:
Kevin Adlard FRPS AFIAP ERISF
awarded a FIAP Gold Medal to Elena Martynyk (Ukraine) for the
photograph titled 'Girl with a Doll'
Nick Després FRPS awarded a FIAP
Gold Medal to Edmund Whitaker (Germany) for the photograph titled
'Odenwald Landscape'
Philip Caplan FRPS AFIAP awarded
a FIAP Gold Medal to John A Robertson DPAGB for the photograph titled
'Boys on Beach' |
Edinburgh Medal
The Edinburgh Medal was
awarded by the Selectors to Sandy Cleland FRPS AFIAP for
his photograph titled 'Ichneumon Fly Ovipositing'
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Selectors' Comments
Brief comments from the selectors are
included in the Exhibition Catalogue.
The Selectors explained that their aim was to select
work that was not only technically good but was also creative and
original.
They felt that some of the digital imaging prints
submitted had been let down by poor choice of paper or overuse of
saturation and sharpening, and that there were comparatively few
outstanding sports and natural history prints.
However, they described these as minor criticisms.
They praised the high standard of the large and varied entry, and believed
that there were "more than enough high quality prints to produce an
exhibition that would have something of interest and value to all
photographers and visitors alike".
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